The best things to do in Melbourne this weekend

The Yarra Valley Chocolaterie and its sister venues, Great Ocean Road Chocolaterie and Mornington Peninsula Chocolaterie, are hosting a delicious 18-day festival dedicated to possibly the best baked invention since sliced bread: the brownie. During the sweet extravaganza, the chocolateries will be releasing 16 limited-edition brownie varieties to sample, along with a range of brownie-inspired desserts and drinks.  Wondering what flavours are available this year? Here's a tasty teaser about what to expect: Dubai chocolate, Basque cheesecake, peanut butter chocolate whisky, black sesame and yuzu tarte. Yum! There are even gluten-free and vegan options to try so no one misses out. If you eat, sleep and breathe brownies, you might want to consider booking one of the tasting sessions. This is where you'll get to concoct your dream brownie from 50 different ingredients and while that’s baking, get to sample eight exclusive creations including bites, a hot chocolate and brownie ice cream You can even order the brownies to take home too – if they last the drive home, that is. The Brownie Festival is on from June 11-29. You can find out more here.  Keen for more fun? Here are the best things to do around Victoria in June.

Scienceworks invites visitors to explore Earth and the cosmos with a series of after-hours and adults-only film screenings on the huge Planetarium dome, with a drink in hand. Every Friday night, those over 18 can explore the universe through immersive documentaries and marvel at the magic of the universe. You won’t go spacing out at these shows either, as they’re loaded with amazing visuals and stellar content. The Friday night screenings feature two fims: one at 7.30pm and the other at 9pm. The films change each month; this June, you can look forward to Voyager – The Never Ending Journey in the earlier session. Ukrainian filmmaker Yuriy Gapon takes viewers on a wild ride to Jupiter, Saturn, Uranus and Neptune to see the launch of two space probes that would make history in the 1970s. If you book in for this slot, a presenter will also walk you through What’s in the Sky Tonight, where our real-time night sky will look more like a movie.  If you decide to come to the later session (or buy a double ticket and stick around), Pink Floyd Dark Side of the Moon will be lighting up the dome. Strap in for 42 minutes of non-stop tunes from the legendary rock band, as their greatest hits from the album Dark Side of the Moon is played in surround sound while set to trippy celestial visuals. Update Thursday, June 12: The June screenings of Dark Side of the Moon are all sold out, but you can catch the show back by popular demand in August (if you're eager, you can snag tickets from...

French Impressionism is host to arguably some of the most famous (and most loved) artists of all time. Monet, Pissarro, Renoir, Van Gogh and Degas are just some of the artists who achieved such acclaim that they remain household names even a century after their deaths. And this winter, you can see some of the artist's most beautiful and well-known works right here in Melbourne at the NGV's new exhibition, French Impressionism: From the Museum of Fine Arts Boston. From June 5 to October 5, 2025, the NGV will host more than 100 French Impressionist works by artists like Claude Monet, Vincent Van Gogh, Pierre-Auguste Renoir, Edouard Manet, Camille Pissarro, Edgar Degas, Paul Cézanne and Mary Cassatt – including works never before seen in Australia. The exhibition is running in partnership with the Museum of Fine Arts, Boston, which is well regarded for its collection of French Impressionist masterpieces.    A highlight is the display of 16 canvases in one gallery, painted over a 30-year period, by Claude Monet. These works depict many of Monet’s most beloved scenes of nature in Argenteuil, the Normandy coast, the Mediterranean coast and his famous garden in Giverny.  One of the best things about this exhibition is that you will also learn the stories of the artists, exhibitions and collectors that shaped this significant movement in art history. Originally brought to the NGV back in 2021, this exhibition had to close just after it opened due to (yep, you guessed it), the...

For the twelfth year, Fitzroy's beloved Builders Arms Hotel is once again devoting ten days to sausages in June, celebrating everything from classic bratwurst to smoked frankfurters. Make a lunch or dinner booking anytime from Thursday June 12 to Sunday 22 to taste your fave sossies from the special festival menu.  The carnivorous array include spicy 'nduja rolls glazed with local honey; Spanish-style morcilla blood pudding hash brown Benedict; grilled bratwurst skewers with curry sauce; smoked cheese kransky hotdog with sauerkraut and chilli; an Alsatian-inspired trio of smoked frankfurters, Toulouse and Lyonnaise sausages on a bed of baked sauerkraut; and Modena-style cotechino with cime di rapa and baked polenta.  While we love a Bunnings sizzle as much as the next person, there's no doubt this menu takes it to the next level. The incredibly talented Troy Wheeler and his team from Meatsmith are making all the sausages from scratch, so you can expect proper juicy ones of an exceptional quality and with all the complementary accoutrements.  Kicking off the celebrations, there's a festival launch happy hour on Thursday June 12 from 5-7pm with free sausage snacks – and for a bit of extra fun, the program includes a special sausage-themed edition of Trivia with Cam Smith on Thursday evening, June 19. Call up your most competitive foodie friends, establish a team and prepare yourself for a night of obscure sausage facts, general snag knowledge and plenty of laughs all...

Snakes have curled their way around mythology for millennia. Present in countless creation stories from Egyptian, Greek and Indian to Norse and First Nations cultures (including the Rainbow Serpent), the loaded symbolism of this coiled creature clasping its tail between its fangs – the ouroboros – evokes eternity.  Sometimes the serpent holds the world together. Other times, it’s a constricting chaos agent. Either way, the fireside nature of myths, oft-shared in storytelling sessions spun under the stars, is inherently unending, melding anew with each retelling. Tackled by everyone from Roman poets Virgil and Ovid to Canadian indie rockers Arcade Fire and Katee Robert’s queered novel, Midnight Ruin, the myth of Eurydice and her Orpheus finds new life in the hands of folk singer-songwriter Anaïs Mitchell. Her eight Tony Award-winning smash-hit musical Hadestown began life as a sung-through community project before she turned it into a concept album, and then a Broadway smash with help from director Rachel Chavkin. In most Greek tales, Eurydice and her Orpheus are happily married, torn apart by a cruel twist of fate: a viper’s bite (sometimes while pursued by toxic dudebro Aristaeus), not even a malicious god in disguise. As she fades into the Underworld, ruled over by Hades and his niece/abducted wife Persephone (!!!), a desolate Orpheus, son of a musical muse, plays his lyre like her life depends on it. Descending into the abyss and crossing the River Styx, he makes a...

There’s the sound of gentle sobbing in the audience when Karin McCracken gets her tax return during Heartbreak Hotel. Sitting there, also gently sobbing, I tried to remember who it was that said "There are two certainties in this world: death and taxes". I also wondered if heartbreak should be included as a third certainty, or if 'death' was close enough. It takes McCracken five years to finally finish her tax return, six years to get over her previous relationship and six chords on a synth machine for her to transform those years into 75 minutes of inventive and heart-wrenching theatre. From the acclaimed Aotearoa-New Zealand-based duo EBKM, Heartbreak Hotel is the best kind of show: a conceptually rich and technically daring portrait of a break-up that blends memoir and theatre to bring just the right amount of spectacle to a universal human experience. Are overdue taxes good first date banter? No. Can heartbreak kill me? Yes. When are we ready to move on? Who knows. Why do we do this to each other? Fucked if I know. The show is structured like theatricalised autofiction – each scene a chapter in a dramatized essay on the pathologies and philosophies of love (and loss) packed with personal anecdotes, synth-backed break-up anthems and deep dives into the microbiology of heartbreak. With a heavily modulated voice and an Elvis-style lavender pantsuit, McCracken delivers moody covers of Celine Dion, Bonnie Raitt and the King himself. Each number starts off light-hearted and...

Way back when Tim Burton was a much weirder filmmaker, my wee brother and I were unreasonably thrilled by the chaos engine of awfully bad behaviour that was Michael Keaton’s unhinged and unwashed demon, Betelgeuse.  The grotty stripe-suited monster ate up the 1988 film of not quite the same name – the studio figured folks would stay away unless the title was simplified to Beetlejuice. Named after the red supergiant star blazing ferociously in the constellation of Orion, some 600 light years from our solar system, Betelgeuse is an outcast from the hilariously bureaucratic afterlife, aka the Netherworld. Which leaves him preying on the naïve recently deceased, like sweet young couple Adam and Barbara Maitland (Alec Baldwin and Geena Davis), in an attempt to crowbar open the sort of ridiculous loophole the Greek gods are fond of. Say his – apparently too complex – name three times and he’ll be unleashed on the mortal coil once more.  But Betelgeuse’s sleazy attentions are soon distracted by Winona Ryder’s goth child Lydia, when she reluctantly moves into Adam and Barbara’s now-empty house with her dad, Charles (disgraced actor Jeffrey Jones), and his new squeeze, OTT sculptor Delia (fabulously demented goddess Catherine O’Hara). A smash hit, Beetlejuice is a wild and unruly thing writhing with unhinged ideas, from its stop-animated black and white sand worms to characters shrunk into a model of sleepy town Winter River, and on to the hilariously-depicted dead of the surreal...

If there's one fantasy series to rule them all, it's hard to go past The Lord of the Rings. And now, Middle-earth is about to collide with our cultural capital, with the news that The Lord of the Rings – A Musical Tale, has landed in Melbourne. Based on J.R.R. Tolkien’s beloved epic trilogy, the stage production is showing at the Comedy Theatre until June 22. This musical invites audiences to join the Hobbits on a quest, bringing Middle-earth to life with a cast of multi-skilled actor-musicians in a theatrical event that celebrates community, courage and camaraderie – featuring an original folk-inspired score.  *** Time Out Sydney reviewed The Lord of the Rings - A Musical Tale when it played at the State Theatre in January. Read on for that three-star review:   For elder Millennials like me, The Lord of the Rings franchise conjures memories of a simpler time: a time when movies were treated more like a coveted form of storytelling rather than just another option in an endless barrage of ‘content’ to ‘stream’. A time when I would go to the local cinema to watch each new instalment in the adventures of my favourite beardy boys club with my dad, who even loaded my sister and I into the car for a day trip to Sydney to check out an epic exhibition about how those epic movies were made across the ditch in New Zealand. (So many used prosthetics! So cool!) I believe that there’s elements of LOTR lore that are so inescapable that you need not have watched the movies or read the...

Melbourne's favourite illuminated event is back again for a fourth year, with more than 20 dazzling new light installations to meander through in wonderment. From June 20 to August 10, take a nighttime stroll through the Royal Botanic Gardens and experience luminous pathways, lit-up tree canopies, soothing soundscapes and more spectacular sights. For the upcoming season, you can expect a reimagined 2.2km trail accompanied by stunning lakeside reflections, large-scale illuminated sculptures and other wonders, with more than 100,000 tiny lights on display. Expect 2025 highlights to be huge illuminated canopy of flowers and the mesmerising 'lawn of light'. Most importantly, you'll also be able to grab a bite to eat and warming drinks, like hot chocolate and mulled wine, at the Welcome Zone or along the trail. They say that Melbourne is at its best in winter and events like Lightscape, where you can rug up and join friends for a magical experience, are a big reason why. Adult tickets start at $36 and are available through the website – be quick as they tend to go fast.  Want more? Check out the best things happening in Melbourne this week.

In 1984, director Trevor Nunn was doing press for Andrew Lloyd Webber’s Starlight Express when he offered the perfect maxim for a Webber fan: “Here is my money. Hit me with the experience.” Arguably none of Webber’s shows have hit harder than his 1971 rock-opera, Jesus Christ Superstar, which arrives at Melbourne’s Princess Theatre after a much-lauded run in Sydney. First revived at London’s Regent’s Park Open Air Theatre in 2016 for the show’s fiftieth anniversary, it’s been restaged in Australia by director Timothy Sheader. Sheader favours a ‘more is more’ approach, leaning into every ‘Webber-ism’ that made the show a success in the first place: rock'n'roll maximalism, near-inhuman vocal lines, emotional spectacle. No crucifix is too glittery or top note too loud. Megawatt vocals and an electric ensemble cast make it a cut above the other Webber revivals we’ve seen in the last couple years. Yet its heavy-handed approach also exposes the limits of spectacle for spectacle’s sake, even when it comes to Webber. It’s a dazzling experience, but ultimately soulless.  The curtain rises on a disassembled rock concert: amps, concert speaker boxes and microphone stands peppered around a set of towering balustrades, exposed steel beams and grating that hide the band. Set and costume Designer Tom Scutt puts us somewhere between Rent’s gritty urbanism and the steampunk simplicity of Hadestown. Meanwhile, lighting designer Lee Curran adds a splash of Mad Max to things by throwing dirty...