BEAM

Ryota doesn’t so much play a set as detonate one. A name that’s been simmering in Osaka’s underground for years, he’s now impossible to ignore – Mixmag named him one of 2025’s artists to watch, Boiler Room gave him a slot, and Fred Again is (allegedly) lurking in his DMs. His sound? A chaotic love letter to UK nightlife: bassline, garage, breakbeats, edits you can’t Shazam. It’s sharp, swaggering and full of left turns – the kind of set where you forget what decade you’re in. He’s also the founder of Japan’s FULLHOUSE, a party series that’s less event, more movement. Last time he played BEAMCUBE, it sold out before anyone could even pretend to be cool about it. This time, he’s joined by Xulalit, Unix and Kade – three selectors rewriting Bangkok’s sonic map. Jun 20. B600 at the door. BEAM, 9pm onwards

For one night, BEAM will stop being a club and start feeling like a wormhole. Space Dimension Controller – Belfast’s most celestial export – arrives in Bangkok to close out an eight-city Asian tour that’s less ‘DJ travels’ and more ‘sonic pilgrimage.’ With a catalogue that’s flickered through labels like R&S, Ninja Tune and Running Back, SDC doesn’t play sets so much as dispatch transmissions – funk-tinged techno, slinky ambient, all spun through some deeply analog magic. This is the kind of night where movement turns devotional and sound mutates into something nearer to language. Supporting him is Closet Yi, returning from Seoul with her signature genre slipstream – breaks, house, and the kind of textural blends that make a dancefloor feel suddenly weightless. She’s been everywhere lately – RA, Crack, CircoLoco – but it’s live where she bends time best. Consider this your final boarding call for a rave that feels like a message from another galaxy. Jun 21. B400-500 via here and B700 at the door. BEAM, 9pm onwards