Things to do in Tokyo today

Creema, organisers of the annual HandMade in Japan festival, celebrate creativity at a grand scale with this weekend market taking over the underground plaza in front of Tokyo Station. Over 100 artists, designers and craftspeople from all over Japan get together to sell accessories, clothing, pottery, sweets and much more, while the programme will also include fun workshops.

Sound, visual art and site-specific elements blend together in innovative and challenging ways at Ambient Kyoto, a multisensory, immersive exhibition that now makes its first foray into Tokyo, landing at Azabudai Hills Gallery. The display centres on the installation ‘async – immersion’, envisioned by the much-missed Ryuichi Sakamoto and Shiro Takatani of Dumb Type and first presented in Kyoto in 2023. Inspired by Sakamoto’s 2017 album async, ‘async – immersion’ features visuals by Takatani and spatial audio design by sound engineer ZAK, whose fingerprints are all over many of Sakamoto’s late-career projects. At Azabudai Hills, the work has been reconstructed exclusively for the venue, with the setup including a 26-metre-wide screen for displaying the video elements of the installation. True to the title of the work, the aural and visual components are aligned but not fully synchronised; their constantly shifting relationship rewards attentive viewing and encourages visitors to approach the work on their own terms.

For a journey into the essence of Renaissance art, look no further than this exhibition featuring more than 50 masterpieces from the world’s most celebrated museum. With paintings, sculptures, prints and decorative arts from the 15th to 16th centuries on show, the travelling display now hosted by the National Art Center explores how artists of the era revived the classical ideals of ancient Greece and Rome to create a new, human-centered vision of beauty, emotion and intellect. The highlight of the exhibition is Leonardo da Vinci’s Portrait of a Woman, known as La Belle Ferronnière – a masterpiece making its first-ever appearance in Japan. With only about fifteen paintings by Leonardo surviving worldwide, the work represents one of the Louvre’s greatest treasures. Its subtle depiction of expression and psychological depth embodies the Renaissance pursuit of capturing both physical form and inner life. Through renowned works by Leonardo and his contemporaries, visitors get to witness how the Renaissance redefined artistic representation and reshaped European culture. A collaboration between the Louvre and Nippon Television Network, ‘Masterpieces of the Renaissance’ offers a once-in-a-lifetime opportunity to experience the rebirth of art that continues to inspire the modern imagination.

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world. The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle.  Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats.  From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details. Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows,...

A giant mikoshi has landed in front of Shibuya 109 – but with a rather unexpected twist. From September 7 to September 18, a mikoshi-shaped gacha machine has set up shop in Dogenzaka. For the uninitiated, a mikoshi is a portable shrine carried by festivalgoers during shrine festivities. But here, the mini shrine isn’t used to ferry gods, but is instead reimagined as a giant gacha ball capsule toy machine. Simply tap a Visa card to join the event for free and answer a survey about what country you’re coming from to receive exclusive merchandise featuring Visa's official mascot, Vee-chan. Think luggage tags featuring the blue mascot, a coin pouch, a reusable shopping bag and more. Participation will also give you a coupon book filled with offers you can use at restaurants nationwide. From September 1 to September 30, receive an exclusive gift when you shop at participating Bic Camera stores or Mega Don Quijote Shibuya Honten Store. Receive a limited-edition Vee handy fan at Bic Camera Shibuya Hachikoguchi store and Shibuya East store when you spend ¥30,000 (excl. tax) or more with Visa. Receive a limited-edition Vee Universal Adaptor at Mega Don Quijote Shibuya Honten Store when you spend ¥20,000 (excl. tax) or more with Visa. Japan is adopting cashless payments more widely than ever before, with transit, coffee shops and restaurants now generally accepting Visa for payments. This makes travelling so much easier, without the need to withdraw cash at a konbini or juggle a...

A master of immersive installations that merge video, sculpture, sound, light and language, Tony Oursler is one of the most influential multimedia artists of his generation. He’s been a pioneering figure in video projection and media-based art since the 1980s, probing the uneasy intersections between technology, psychology, belief systems and contemporary society. Drawing equally from pop culture, science, conspiracy theories, religion and the paranormal, Oursler’s work gives form to the invisible forces shaping modern life, be they data streams, surveillance or spirits, through a poetic blend of humour and unease. ‘Tony Oursler: Tech/Gnosis – Magic, Media, Art’ at Tokyo Node is the artist’s first large-scale solo exhibition in Japan, offering a comprehensive survey of Oursler’s practice from the early 1990s to the present. Key works such as Private (1994–1997), Specular (2021) and the psychologically charged installation Lock 2, 4, 6 (2010) are shown alongside previously unpublished projects and extensive archival materials drawn from Oursler’s personal collection of more than 3,000 items related to science, magic and unidentified phenomena. A highlight is the world premiere of Empty (2000), a long-gestating collaboration with David Bowie and composer Glenn Branca, realised here for the first time. The exhibition also debuts Chimera (2026), a monumental, site-specific work conceived for Tokyo Node’s soaring 15-metre-high space, where mythical hybrid creatures appear to...

When the boundless imagination of Pablo Picasso meets the vibrant creativity of Sir Paul Smith, fireworks follow. Picasso (1881–1973), one of the most influential artists of the 20th century, revolutionised modern art with his radical innovations in form and colour. British designer Smith, noted for his playful approach to tailoring and his masterful sense of colour and pattern, brings his unique sensibility to the table, transforming the NACT’s galleries into a dialogue between art and fashion, and tradition and reinvention. ‘Adventure of Playful Spirits’ offers a fresh encounter with approximately 80 works from the Musée National Picasso-Paris. Following the success of the 2023 Paris exhibition ‘Picasso Celebration: The Collection in a New Light!’, this Japan edition invites visitors to rediscover the painter’s creative evolution from his early Portrait of a Man to the tender Paulo as Harlequin, through Smith’s imaginative spatial design. From colour-splashed walls to whimsical décor, every element of the exhibition reflects Smith’s joyful spirit and his fascination with artistic play. This meeting of two creative giants – one who shaped modern art and another who redefined contemporary design – conjures up a vibrant, immersive world where curiosity, humour and craftsmanship intertwine.

The National Stadium’s swanky next-door park is hosting a summer beer garden and outdoor cinema festival this month from July 17 to September 27. During the event, the park will be transformed into an open-air beer garden complete with tables, tents and plenty of seating. Hosted by Corona, the beer garden will serve favourites such as Corona Extra (¥750), alongside the brand’s non-alcoholic Corona Cero (¥600) and inventive Corona-infused cocktails. New for 2026 is the Corona Sunsets Truck, which will be serving drinks and appetisers designed to pair perfectly with Corona beer every Friday, Saturday and Sunday. While you’re there, don’t miss the free outdoor film screenings taking place on Fridays, Saturdays and Sundays. This weekend outdoor cinema event is one of Japan’s largest, with screenings running for over 70 days. While the cinema line-up for 2026 has yet to be announced, last year’s programme featured Academy Award-winning titles such as Green Book and Top Gun: Maverick, as well as family favourites including Paddington, School of Rock, The Minions and more. Note that most screenings are Japanese-dubbed versions of the films. While entry to the festival is free, a special reservation is required to enter on August 8, when the nearby Jingu Stadium is hosting the Jingu Gaien Fireworks Festival. Capacity is limited to two thousand visitors, so reserve a slot via the official website before it's too late.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997. Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic. From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space. Complementing the sculptures,...

This expansive exhibition is the largest in the Doraemon franchise’s 56-year history, bringing together manga panels, animation, sculptures, limited-edition merch and a themed food menu all starring the world’s favourite blue robot cat and his friends. It launched in Hong Kong in July 2024, attracting over five million visitors during its month-long run. Since then, it has continued to captivate fans across Asia, making its way through several cities including Shanghai, Guangzhou, Bangkok, and Kaohsiung in Taiwan.The exhibition space contains over 100 distinct Doraemon figures, each with its own expression and costume. In addition to showcasing the content from the previous cities, the Tokyo exhibition also features Japan-exclusive works. Here you can see Doraemon transformed into a shiba inu, a sumo wrestler and a few other forms inspired by Japanese culture, as well as view two original animations not seen elsewhere.‘100% Doraemon & Friends’ runs until September 30 and is open from 10am to 6pm daily (last entry 5.30pm). Tickets start from ¥2,400 for adults, ¥1,800 for primary and secondary school students and ¥1,600 for children four years old and below – purchase yours here. As an added bonus, upon arrival exhibition visitors receive one of nine Doraemon-themed acrylic pins and one of four promotional cards (both chosen at random).