1. Hokusai Museum
    Photo: Yosuke Owashi | Sumida Hokusai Museum
  2. Hokusai Museum
    Photo: Yosuke Owashi
  3. Hokusai Museum
    Photo: Yosuke Owashi

The Sumida Hokusai Museum

  • Art | Galleries
  • Ryogoku
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Time Out says

Spending a day in Ryogoku became even more of a necessity for tourists from November 2016, when the neighbourhood that already housed the Edo-Tokyo Museum and the Kokugikan saw the opening of a museum dedicated entirely to Edo-era Sumida's most famous son – ukiyo-e superstar Katsushika Hokusai. In addition to viewing displays of the woodblock print wizard's countless masterpieces, you can learn about Hokusai the man, his life in Sumida and what the city looked like between 1760, when Hokusai was born in Katsushika, and 1849, when he died and was buried at Seikyoji Temple in Asakusa. Visitors will also want to check out the full-scale master’s atelier, a reconstruction based on a painting by Hokusai apprentice Iitsu Tsuyuki.

Details

Address
2-7-2 Kamezawa, Sumida
Tokyo
Transport:
Ryogoku Station (Sobu, Oedo lines)
Opening hours:
9.30am-5.30pm / closed Mon (Tue if Mon is a holiday)

What’s on

Exploring with Hokusai! The Ultimate Encyclopedia of Ukiyo-e Prints

Katsushika Hokusai (1760–1849) stands tall as one of Japan’s most celebrated artists, renowned for his dazzling imagination, bold compositions and mastery of line. While his brush paintings reveal his singular vision, ukiyo-e prints – commercially produced, widely circulated images – were what cemented his global legacy. These prints, once everyday commodities, now serve as invaluable windows into the culture, lifestyles and visual sensibilities of the period. The Sumida Hokusai Museum’s ‘Exploring with Hokusai! The Ultimate Encyclopedia of Ukiyo-e Prints’ delves deep into the medium that shaped Hokusai’s fame. Rather than simply showcasing masterpieces, the exhibition illuminates the evolution of ukiyo-e technology, from early monochromatic sumizuri-e to the vivid nishiki-e that revolutionised colour printing. You’ll get to discover the ingenuity of carvers, printers and publishers, whose finely tuned collaboration brought each work to life. The exhibition also highlights ukiyo-e as Edo-period (1603–1868) media. Portraits of actors, travel images, fans and advertisements reveal a lively society recorded through prints that doubled as entertainment and information. Together, the works on display offer a richly layered portrait of Edo’s visual culture and the enduring appeal of ukiyo-e.
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