French artist Philippe Parreno, one of the leading lights of the neo-conceptualist Relational Aesthetic movement of the late ’90s and early oughts, is known for ephemeral installations that incorporate elements of previous installations in a kind of nesting doll progression meant to focus attention on the idea of the exhibition itself, rather than the individual works of art. The latter, however, include the artist’s signature: A light up theater marquee meant to suggest the idea of the exhibit as a performance instead of a static display.