Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The best of New York straight to your inbox
We help you navigate a myriad of possibilities. Sign up for our newsletter for the best of the city.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Dimensionality is an ongoing concern in Christina Masciotti’s marvelously strange and humane two-hander, sharply directed by Richard Maxwell in his trademark affectless style. Don’t be fooled by the deadpans deployed by Linda Mancini as a middle-aged Greek immigrant and the equally superb Jay Smith as a shy ophthalmologist trying to help with her sight; these lost souls possess hidden depth. Masciotti’s beautifully wrought language features a keen interplay of the boring and the weirdly poetic.—David Cote
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!