A nonnarrative film compiling decayed/warped film footage, accompanied by a minimalist soundtrack, Bill Morrison’s metatribute to time and celluloid falls somewhere between the avant-garde vision of Ken Jacobs and the New Age touchy-feeliness of Godfrey Reggio. Still, it’s a mesmerizing experience once you get on the movie’s level. The feature screens with Reynold Reynolds and Patrick Jolley’s “Burn” (2002) and Glenda Wharton’s “The Zo” (2009).
Details
Address
Advertising
Been there, done that? Think again, my friend.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!