Marylebone Theatre, 2022
Photo by Marylebone Theatre

Marylebone Theatre

New central London theatre with an international focus
  • Theatre | Fringe
  • Regent’s Park
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Time Out says

The Marylebone Theatre is an intriguing new addition to the London theatre scene. Frankly we don’t know a lot about it yet. It has around 200 seats, is located in the former Steiner Hall in (you guessed it) Marylebone, and its artistic director is one Alexander J Gifford, who isn’t exactly a huge name in London theatre. Nonetheless, its sole piece of programming is interesting, with former Young Vic boss Tim Supple directing a new version of Friedrich Schiller’s unfinished play ‘Demetrius’, entitled ‘Dmitri’. It’s an ambitious show for a small theatre to open with, and speaks of ambitious programming to come.

Details

Address
35
Park Rd
London
NW1 6XT
Transport:
tube: Marylebone
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What’s on

The Wanderers

3 out of 5 stars
Anna Ziegler’s play The Wanderers makes its UK debut at the Marylebone Theatre after becoming an off-Broadway hit in 2023, starring Katie Holmes. Tracking the lives and loves of two Jewish couples from different generations in Williamsburg, Brooklyn, it is a crafty, gradually intensifying drama that examines the values we embrace and reject. Directed here by Igor Golyak, it’s staged on two sides of a translucent screen, with the tensions from the separate eras overlapping and reverberating across time. Abe (a wonderfully weary Alex Forsyth) is a Pulitzer Prize-winning prodigy who has known his wife, Sarah (Paksie Vernon) – a less successful writer – practically his whole life. At one of his book readings, he spots the movie star Julia Cheever (Anna Popplewell) in the audience and so begins a lustful email exchange, which sends Abe on a downward spiral; he questions the roots of his marriage, declares his love for Julia, and descends further into his own world. Elsewhere, in the novel Abe is trying to piece together about his family history, his parents Esther (Katerina Tannenbaum) and Schmuli (Eddie Toll) are Hasidic Jews. They’ve met only once before their arranged marriage and are about to embark on a life together. But, with Esther’s desire to push the boundaries of tradition, it’s not long before their union is in tatters. In the hands of Golyak, the play glows in its duality. Using white marker pen, the actors draw out objects, like radios, that are used separately in...
  • Drama
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