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Joe Penhall’s landmark drama about mental health and race in Britain has been revived frequently in the twenty-five years since it was first performed. This production from director James Haddrell boasts a rather impressive contributor for the relatively small Greenwich Theatre: Penhall himself has updated his own text, changing its junior psychiatrist character from a white man to an Asian woman. The drama, in which a junior and senior psychiatrist with radically different agendas clash over whether a clearly still very ill Black patient should be released back into the community perhaps feels like a product of the New Labour era. But Penhall’s goal in changing the character is to update the play both thematically and in terms of better reflecting the modern day NHS.
Though it’s had a change of personel in recent years, the Greenwich panto remains a low key but well-regarded affair that serves up old school, celebrity-free pantomime that largely flies under the radar of London as a whole but has a loyal local following. In this take on JM Barrie’s creations, writer Anthony Spargo stars, and James Haddrell directs.
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