New Year’s Eve comedy in London

Autumn is here and the Edinburgh Fringe is over – two big events in the comedy world, as it heralds both the arrival of big new tours from the likes of Mo Gilligan, but also a rapid transfer of some of the Fringe’s biggest 2026 comedy hits, as the likes of Crybabies and Freddie Meredith surf their great reviews directly down to London. (A curiousity of this autumn is that the many SNL UK stars at the Fringe have had to reshcedule their September dates due the show’s second season – but there‘s still plenty of chuckles to go around) There are far, far too many one-off, multi-performer comedy nights in London for us to compile a single coherent page with our favouites on, which is entirely to London’s credit. So do check individual bills of comedy clubs online for that sort of thing. But if you’re looking for an individual comedian with a full headline show then this page is here to compile the Time Out editorial team’s top choices, often with our reviews from the Edinburgh Festival Fringe. The best comedy clubs in London.The best new theatre shows to book for in London.

The Brit comedy superstar grapples with fame and fortune in his latest show, which kicks off in London in the autumn at the Apollo, heads across the country and throughout Europe, then call in at The O2 for a pre-Christmas victory lap.

Acclaimed Mexican-American stand-up Ricote settles in at the Park Theatre’s studio for a few weeks of shows. Inkling transfers straight down from the Edinburgh Festival Fringe, where the hard of hearing comic’s ‘stupidest and smartest show yet’ has received great reviews.

London has the biggest and best comedy scene in the world, so if you love a good laugh (or a good heckle) you're in the right place. From tiny basements and rooms above pubs to boats to huge venues, there’s comedy in the capital for comedians (and audiences) of all shapes and sizes. But not all spaces are created equal. Avoid getting sucked into a rip-off joint with a vibe that's deader than Monty Python's notorious parrot with our list of London’s liveliest and best comedy nights and clubs. Whether you're up for try-out nights at pocket money prices or massive gigs from names off the telly, here's where to look for your next comedy night out. RECOMMENDED: Here are the very best cinemas in London.

Produced by Edinburgh Fringe hitmeister Francesca Moody, The Scaring sees sketch trio Crybabies follow up their very silly sci-fi Bagbeard and absurdist World War 2 show Danger Brigade with what you could probably have correctly guessed to be a rummage around the horror genre. The series of sketches that comprise The Scaring follow a former priest who must team up with a ghost after peril strikes at a creepy hotel.

What is it? Angel Comedy has a cosy home at The Camden Head, the classic pub in Angel   with a charming beer garden out front and a dedicated events space upstairs. This venue (along with the iconice The Bill Murray down the road) hosts the collective’s comedy nights, showcasing everything from seasoned acts trying out new material to emerging comics giving it their all. Why go? If you like comedy, this night is an absolute bargain. And even if you don't, well you're losing nothing by just going along (the nights are completely free!) If you’re after top-notch laughs in a relaxed, friendly setting, this is the place to be. The line-ups change nightly, guaranteeing fresh materials and lots of surprises. Don’t miss: Obviously, order a drink to take into the show.  When to visit: Shows run most nights. Check the Angel Comedy website for exact times and line-ups. Ticket info: All shows are free, making it one of London’s best-value comedy nights. But once it's full it's  full! Time Out tip: Arrive early to grab a spot in the beer garden or a front-row seat upstairs.

Nominated for Best Newcomer at this year’s Edinburgh Fringe Comedy Awards, Freddie Meredith’s Need a Light? is a by all accounts delightful hour of sketch comedy in which Meredith plays a nerdy, wannabe hip loser who spends 60 endearing minutes trying to start conversations with randoms in the smoking area of a club.

This review is from the 2026 Edinburgh Festival Fringe. Conceptual comic Joseph Morpurgo hasn’t been totally absent this last 10 years: he recently brought back his classic 2015 show Soothing Sounds for Baby. However, Highlander 70 is his first new work in nearly a decade although you’d hardly guess it if you didn’t know: he throws himself into a show with truly esoteric subject matter with the breezy energy of a man who pumps out a weirdy Fringe show a year. And although he’s not an observational stand-up type who was going to talk us through what he’s been up to, there’s just something admirably ballsy about announcing his return with this. Wearing clay-coloured face paint for whatever reason, he dives straight into the premise. He allegedly randomly happened across a 1970 high school yearbook for a US high school called Highlander Academy, in New Jersey. And from the pictures contained therein he spins an eccentric and amusing yarn about David Moon, a student who appears multiple times in the book. Of course Murpurgo has no real idea who Moon was. But he has crafted a narrative that Moon sits at the heart of, when a private diary detailing the straitlaced student’s love for the most popular girl in school goes missing on graduation day, prompting an epic quest to retrieve it.  I would assume that somehow Morpurgo did happen upon the real yearbook – it seems like too mad a thing to have entirely fabricated – but clearly the wild stories he tells of David and his...

‘My main goal of the show, and my life, is to clear the name of Yoko Ono,’ says James Acaster, matter-of-factly, at the top of his show. Quite how we get there via examining his love of mariachi music, or the identities of Percy Pig’s mates, we’re not sure. But it all seems to make sense, at the time. Honest. Three solo shows in, and Acaster’s quickly becoming a reliable Fringe favourite. The Kettering-born comic is quiet, pedantic and refreshingly low-key. He's in no rush to get laughs, his shows are slow-burners, but every carefully chosen word or pause builds up to a sturdy, satisfying punchline. From Twister-etiquette to French rhyme structures, the Marks and Spencer-donning comic has a knack for flipping observational comedy on its head, studiously examining things most of us have dismissed as inconsequential. His confident, yet gawky, persona is wonderfully aloof, too. But what Acaster has mastered, which most comics fail at, is structuring an hour-long show. Seemingly throwaway jokes cleverly re-emerge, and no callbacks are crowbarred in. By the end of the hour you’re totally sucked into his minute, quizzical world, where Yoko Ono is addicted to biscuits, and Joe Bloggs is a prat. And it’s a wonderful world to visit. See 'James Acaster – Lawnmower' at the Edinburgh Fringe

Maybe it’s his law school training, but relative newcomer Ronny Chieng is already a consummate professional. The 27-year-old comic is blunt, full of bravado and not aiming to be liked; he’s got a job to do, and he’s putting forward a strong case. Born in Malaysia, based in Australia and raised in Singapore via the US, Chieng has a blurred sense of national identity. ‘I belong nowhere,’ he says, explaining that Westerners just see his Chinese roots, and back home he’s considered ‘the whitest guy in Malaysia’. But Chieng feels passionately about his heritage and aims to change the opinion that Chinese people aren’t cool. ‘Cool’ isn’t exactly how you’d describe Chieng; he’s a permanently pissed-off germaphobe. But he smartly attacks Chinese stereotypes while mockingly reinforcing them, and just when you think he’s slipping into cliché, he’ll flip the joke on its head and find a fresh, sharp punchline. Not that race is the only subject Chieng’s an expert on. He’s a master BitTorrent user, a penis-hygiene specialist and regular IT support for his mum. We’ve all heard young comics mock their parents’ inability to grasp technology, but Chieng’s extended routine about providing tech help over the phone wins through his outward frustration. It’s this honest indifference to being liked that makes Chieng stand out. Refreshingly, he’s neither charmless nor charming. All that matters is there’s sharp comedic mind at work here – why should we need anything more? See 'Ronny Chieng – The...