MGM Music Hall

Yeat’s shows have a way of feeling like a secret you’re in on, even as his streaming numbers climb into the millions. If you’ve caught his tracks blasting from passing cars or TikTok edits, you already know the appeal: warped synths, unpredictable beats and a delivery that’s both hypnotic and oddly playful. Live, that energy gets dialed up—his sets are less about spectacle and more about letting the music swallow the room. The crowd skews young, but the vibe is more cult gathering than chaotic free-for-all. If you’re curious about where hip hop is heading, this is a chance to see one of its most idiosyncratic voices in his element. Don’t expect a greatest-hits parade or much banter; Yeat’s focus is on the sound, and he’s got plenty of new tricks up his sleeve.

Dermot Kennedy’s shows have a way of sneaking up on you. One moment, you’re in a packed room, the next you’re caught off guard by the rawness in his voice and the way he can turn a lyric into a gut punch. He’s not here to coast on streaming numbers or radio hits—his live sets are built for people who want to feel something, not just sing along. If you’ve only heard him through headphones, you haven’t really heard him. The production is polished but never slick, and there’s a sense of urgency that doesn’t let up. Kennedy’s knack for balancing vulnerability with anthemic hooks means you’ll leave with at least one line stuck in your head, probably for days. If you’re after a night that feels both intimate and massive, this is the ticket.

Liz Phair’s shows have always felt like a reunion of the city’s most discerning music fans, and this one is no exception. She’s rolling through with a setlist that’s likely to dig deep into the catalog, not just the radio singles. If you’ve ever found yourself humming “Soap Star Joe” on a walk home or debating the merits of her genre pivots over drinks, you’ll want to be here. Phair’s knack for pairing sharp lyrics with melodies that stick is as potent as ever, and her live performances have a way of making even the most familiar tracks feel newly urgent. This isn’t nostalgia for nostalgia’s sake—it’s a chance to see an artist who’s never stopped evolving, in a room full of people who actually get it. Don’t be surprised if you leave with a new favorite song.

Juanes is back in town, and if you’ve ever caught one of his shows, you know he doesn’t coast on nostalgia. His setlists are a sharp mix of new material and the hits you still hear blasting from car stereos in Allston and Jamaica Plain. What makes his concerts stand out is the way he threads together rock, pop and cumbia without ever feeling like he’s ticking boxes. The crowd is always a mix of longtime fans and newcomers, and somehow everyone ends up singing along by the third song. If you’re the type who usually skips arena shows, this is one worth reconsidering. Juanes has a knack for making even the biggest venues feel personal, and his band is tight enough to keep things interesting for music nerds and casual listeners alike. Don’t be surprised if you leave with a new favorite song.

Kany Garcia’s shows have a way of making even the largest venues feel intimate, and her Boston stop is shaping up to be one of those rare nights where every lyric lands just right. If you’ve followed her journey from “Objetivo Fama” to her latest album, you already know she doesn’t coast on nostalgia or easy sentiment. Her songwriting is sharp, honest and often quietly devastating, but she never lets the mood get too heavy for long. The setlists tend to zigzag between confessional ballads and sly, rhythmic pop, so you’re just as likely to find yourself swaying as you are singing along. Garcia’s rapport with her audience is the real draw here: she’s warm, funny and unafraid to share the stories behind the songs. If you want a night that feels personal, even in a crowd, this is the one to catch.

Wave To Earth’s sound is all about restraint—soft vocals, delicate guitar lines and a kind of breezy melancholy that feels tailor-made for late-night walks or slow mornings. Their live shows lean into that mood, but don’t mistake subtlety for sleepiness. The trio’s jazz-inflected indie pop has a way of sneaking up on you, shifting from gentle to quietly intense in a blink. If you’ve been craving a break from the usual high-decibel chaos, this is your chance to sink into something more nuanced. The setlist draws from their debut and newer tracks, but it’s the way they stretch and reshape their songs on stage that makes the night feel singular. You’ll leave humming, maybe a little lighter, and probably wondering how music this understated can linger so long after the last note.

Shaboozey’s upcoming show isn’t just another stop on a tour—it’s a rare chance to catch an artist who refuses to color inside the genre lines. His sound is a collision of hip-hop, rock and alternative, but it never feels forced or calculated. Instead, he leans into the friction, letting sharp lyrics and unexpected hooks do the heavy lifting. If you’ve been craving something that doesn’t fit neatly into a playlist, this is your night. Shaboozey’s setlists have a way of zigzagging between moods, so don’t be surprised if you find yourself nodding along one minute and caught off guard the next. There’s a restless energy to his live shows that feels right at home in a city that’s always hungry for the next thing. If you want to hear what’s actually new, this is where you’ll find it.

Two Door Cinema Club’s knack for turning indie rock into a full-body workout is no secret, but this tour is a rare chance to hear “Tourist History” played front to back. If you’ve ever found yourself humming “Something Good Can Work” on the T or shouting along to “Undercover Martyn” at a house party, you know these songs are built for communal release. The band’s sound is crisp and immediate, all jittery guitars and hooks that stick for days, but it’s the way they keep things tight and unpretentious on stage that makes their gigs feel like a proper night out rather than a nostalgia trip. Don’t expect a greatest hits parade—this is a setlist with a mission, and it’s all the better for it. If you want to remember why you fell for indie in the first place, this is the show.

Ringo Starr’s All Starr Band shows are a rare kind of rock nostalgia: loose, playful and full of surprises. The lineup changes every tour, so you never quite know which legends will be trading solos or swapping stories between songs. This year’s roster leans into deep cuts and unexpected pairings, with each musician stepping up for their own hits before diving into Beatles classics that still sound fresh in a live setting. Ringo’s charm is as unforced as ever, and the setlist is a grab bag of radio staples and songs you forgot you loved. The crowd skews older, but the vibe is anything but stuffy—think singalongs, spontaneous jams and the kind of musical camaraderie that only happens when everyone on stage has nothing left to prove. If you want a night that feels like a living jukebox, this is it.